Alla Samuel John Peploe s Oljemålningar


Vilja ID Bild  Oljemålningar Från A to Z       Information 
39314 Barra  Barra   mk147 1903 Scottish National Gallery of Modern Art Edinburgh
39333 Boats at Royan  Boats at Royan   mk147 1910 Oil on board 29x33
39317 Etaples  Etaples   mk147 c.1906 Scottish National Gallery of Modern Art
50545 Freeden gallop  Freeden gallop   mk212 c.1862 54.6x66cm
39330 Girl in White  Girl in White   mk147 1907 Oil on canvas 84.5x61.5cm
39336 Green Sea,Iona  Green Sea,Iona   mk147 c.1920 Oil on canvas 50.8x60.9cm
39322 Ile de Brehat  Ile de Brehat   mk147 1911 Scottish National Gallery of Modern Art.
39337 Kirkcudbright  Kirkcudbright   mk147 c.1919 Oil on canvas 55.9x63.5cm
39340 Landscape at Cassis  Landscape at Cassis   mk147 1924 Oil on canvas 55.6x45.7cm
39341 Palm Trees,Antibes  Palm Trees,Antibes   mk147 1928 Oil on canvas 61.5x51.5cm
39318 Park Scene  Park Scene   mk147 1910 Kirkcaldy Museum and Art Gallery
39327 Roses in a Blue and White Vase,Black Background  Roses in a Blue and White Vase,Black Background   mk147 c.1904 Oil on canvas 40.6x45.5cm
39312 Self-Portrait  Self-Portrait   mk147 c.190 Scottish National Gallery of Modern Art.
39335 Still Life  Still Life   mk147 c.1913 Oil on canvas 55x46 Scottish National Gallery of Modern Art.
39339 Still Life Roses and Book  Still Life Roses and Book   mk147 c.1920 Oil on canvas 73.7x60
39329 Still Life with Coffee Pot  Still Life with Coffee Pot   mk147 c.1905 Oil on canvas 61x82.5cm
39331 Street Scene,France  Street Scene,France   mk147 c.1910 Oil on canvas 34x26.5cm
39328 The Black Bottle  The Black Bottle   mk147 c.1905 Oil on canvas 50.8x76.2cm
39326 The Lobster  The Lobster   mk147 c.1903 Oil on canvas 40.7x50.8cm
39332 The Luxembourg Gardens  The Luxembourg Gardens   mk147 c.1910 Oil on panel 35.5x28cm
39334 Tulips and Cup  Tulips and Cup   mk147 c.1912 Oil on canvas 45.6x40.6cm
39338 Tulips and Fruit  Tulips and Fruit   mk147 c.1919 Oil on canvas 58x48

Samuel John Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.



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